Off-campus access: log in with your pennkey to see the image log out or close your browser when you have finished. Dong qichang's articulation of the definition of literati form, attitude, and aesthetics, as well as his criteria for judging the quality of art, and his selection of canonical great artists of the past (eg the four wangs, or the four masters of the yuan dynasty), remain dominant in chinese art history today, both in china and throughout the. Dong qichang, in the shade of summer trees, 17th century, ming dynasty essay lindsay david art history 6d 3 june 2008 dong qichang, in the shade of summer trees, 17th century, ming dynasty this painting is from the ming dynasty , and very clearly depicts and captures the essence of the southern school, or literati painters.
View auction details, art exhibitions and online catalogues bid, buy and collect contemporary, impressionist or modern art, old masters, jewellery, wine, watches, prints, rugs and books at sotheby's auction house. Lindsay david art history 6d 3 june 2008 dong qichang, in the shade of summer trees, 17th century, ming dynasty this painting is from the ming dynasty, and very clearly depicts and captures the essence of the southern school, or literati painters. Portrait of dong qichang painting titled riverbank (l1997241), supposedly by the artist dong yuan 董源 or 董元 (d 962) i had long contended that it was a forgery by zhang daqian, but supporters of the painting. Dong qichang called the tradition of the independent scholar-painter the southern school because he saw in it an analogy to the southern school of chan buddhism in the tang dynasty, which had held that enlightenment came of itself, spontaneously and suddenly, as opposed to the northern, or gradual, school, which had maintained that.
Dong qichang pavilion under shade, 1604 ink and colour on gold paper 5 ¾ x 17 ¾ in signed this artwork was auctioned on nov 30, 2015 auction venue become premium realized price become premium become a premium member for unlimited access to sale information join mutualart login more lots by dong qichang. N/a english: two pages from 'landscapes and calligraphy' by dong qichang, ming dynasty, 17th century, ink and color on paper, private collection 17th century. Landscape hanging scroll, ink and color on gold-flecked paper,inscribed and signed dong xuanzai, with one seal of the artist dong qichang yin, with three collectors' seals at lower left jinshi zhai cang, shigen jiancang, and yuan hao shu, and mounted with a colophon by yuan hao (qing dynasty), with four seals reading yuan hao, shigen, motan fo, and changsheng. Liu yong (1720-1804) modeled after zhao mengfu and dong qichang in an early stage and immersed himself in stele carving in a later stage selected works clear day after brief snow model calligraphy is one of the representative pieces of running script by wang xizhi.
Dong qichang river and mountains on a clear autumn day, 17th c, ink on paper, handscroll, ming (1368 -1644), china dong qichang in the shade of summer trees, ink on paper, hanging scroll, ming (1368 - 1644), china dong qichang qingbian mountain, 1617. Dong qichang 董其昌 (1555-1636) “two schools” formulation of chinese art history, also called the “northern and southern school” theory: a theory of the history of painting, associated with dong qichang, which divided painters into two lineages, the northern and southern--categories which were borrowed from chan buddhist divisions. Ming dynasty painting: dong qichang, dwelling in the qingbian mountains, 1617 hanging scroll, ink on paper, 7' 3 1/2 x 2' 2 1/2 cleveland museum of art dong quichang is considered the first modernist painter in china dong was from the north but admired the style of the southern painters which was more fluid and expressive.
Gallery dong qichang (1555-1636) - the complete works - (27 painting) - (gold, ink, paper) - dong qichang (chinese: 董其昌 pinyin: dǒng qíchāng wade–giles: tung ch i-ch ang courtesy name xuanzai (玄宰) 1555–1636) was a chinese painter scholar calligrapher and art theorist of the later period of the ming dynasty. Calligraphers in the early dynasty period tended to follow the style of dong [qichang] for those who desired a spirited outlook, they would add the method of oubo [zhao mengfu] which only resulted in a frail charm. Starting from the dong qichang project series, he completely eliminated the use of symbols instead, he began a creative process in which creation and destruction were equally important from his perspective, chance is a much more important factor in the art making process than purposeful action.
Dong qichang (1555-1636), who styled himself xuanzai, with alternative names of sibai, siweng, and xiangguang jushi, was a native of huating (now songjiang, shanghai) he was the representative of the huating school, and the leader of the late ming dynasty paintings. Dong qichang was the son of a teacher and somewhat precocious as a child, at 12 he passed the prefectural civil service examination and won a coveted spot at the prefectural government school he first took the imperial civil service exam at seventeen, but placed second to a cousin because his calligraphy was clumsy, this led him to train until.
Whiling away the summer in the shade of banana trees – qiu ying late return after a spring excursion – qiu ying searching ancient relics in fengjing – dong qichang. Reworking the classics: revitalization of guohua, traditional chinese painting, in search of contemporaneity dong qichang, in the shade of summer trees, 1635, ink on paper, hanging scroll, 3219 x 1023 cm, collection of national palace attributed to dong yuan, wintry trees by a lake, undated, ink and colour on silk, hanging scroll, 181. Artists who influenced dong qichang: chinese painter, calligrapher, connoisseur, theoretician, collector and high official at the age of 12 dong qichang, the son of a local school-teacher, passed the prefectural civil-service examination to qualify as a government student and was awarded a coveted place in the prefectural school.